AI art at NVIDIA GTC Paris is taking center stage from June 10 to 12, showcasing how artists are using artificial intelligence to explore memory, identity, and emotion. Held at the Paris Expo Porte de Versailles, the event highlights how AI and human imagination can intersect in unexpected and moving ways.
Paul Mouginot, who creates under the name aurèce vettier, treats AI as more than just a tool. He sees it as a poetic partner in his creative process. By training generative AI on personal data—childhood images and recent phone photos—he uncovers deeply introspective results. These outputs become the foundation of oil paintings that feel both dreamlike and intimate. Mouginot calls this an example of how AI art at NVIDIA GTC Paris can carry feeling, memory, and myth.
Senegalese artist Linda Dounia Rebeiz also engages AI for deeply personal storytelling. Her project Once Upon a Garden captures endangered flora from the Sahel region. She started the work to ensure her grandmother’s memories and the region’s biodiversity wouldn’t be lost to time. Through AI, she generated thousands of floral images, which now live on through animations, collages, and paintings. For Rebeiz, the project critiques the global imbalance in digital memory and representation. This body of work showcases how AI art at NVIDIA GTC Paris becomes a mirror of the world’s forgotten archives.
Artists Sofia Crespo and Feileacan McCormick, working as Entangled Others Studio, explore biological data through AI. Their project Self-Contained uses AI models and DNA data to create artworks that feel alive. They splice datasets to create unique visual identities and even store some of the results in DNA within sculptural capsules. Their work questions how digital and organic worlds blur, and it exemplifies the transformative nature of AI art at NVIDIA GTC Paris.
The exhibit also features fuse* studio, which brings science and emotion together. Their multimedia project Onirica () visualizes dreams using a diffusion AI model trained on neurological data. With over 28,000 dream reports as input, they generate visual pieces that reflect how we sleep and imagine. The team emphasizes the unexpected beauty that emerges when artists surrender partial control to AI systems.
Dutch artist Jeroen van der Most’s project Vegetable Vendetta adds satire and flair. He uses AI to elevate root vegetables into high-fashion icons. For him, AI isn’t just a creative aid—it’s a tool for cultural critique. The campaign parodies luxury branding, all while showing how AI art at NVIDIA GTC Paris democratizes creativity for those with small budgets.
Fashion students from the Institut Français de la Mode and London College of Fashion are also displaying AI-generated concepts. These works demonstrate how AI can support both imagination and production. Professor Giovanna Casimiro encourages her students to view AI as a collaborator that invites risk and reinvention, not just efficiency. Matthew Drinkwater of the Fashion Innovation Agency adds that AI lets designers test ideas instantly—before fabric ever hits the cutting table.
Each contribution at GTC Paris reveals AI as more than a tool—it’s a creative catalyst. Whether documenting endangered ecosystems, visualizing dreams, or mocking commercial excess, the artists are united by their embrace of technology as a partner in storytelling.
AI art at NVIDIA GTC Paris proves that with the right vision, machines can help humanity explore what makes us most human.
